{"id":2185,"date":"2022-12-07T12:16:42","date_gmt":"2022-12-07T11:16:42","guid":{"rendered":"https:\/\/csam.tobetold.film\/?p=2185"},"modified":"2025-10-02T19:34:04","modified_gmt":"2025-10-02T17:34:04","slug":"amin-ahangaran","status":"publish","type":"post","link":"https:\/\/csam.tobetold.film\/en\/artists\/bass\/amin-ahangaran\/","title":{"rendered":"Amin Ahangaran"},"content":{"rendered":"<p><span data-contrast=\"auto\">Amin Ahangaran, praised as a \u201cfull-bodied and firm bass\u201d with a \u201cbeautiful nocturnal colour\u201d (Opera Libera) and \u201cone of the most charming voices of his generation\u201d (OPERA Charm Magazine), is an alumnus of both the Accademia del Teatro del Maggio Musicale in Florence and the Zurich Opera\u2019s International Opera Studio (IOS). A current ensemble member of the Op\u00e9ra de Paris, Ahangaran is one of the announced participants of the renowned Operalia competition in Sofia, set to take place at the Bulgaria Concert Hall in October 2025.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">The highly anticipated 2025-26 season holds exciting roles for Amin Ahangaran: at Op\u00e9ra de Paris he appears as Angelotti in\u202f<\/span><b><i><span data-contrast=\"auto\">Tosca<\/span><\/i><\/b><span data-contrast=\"auto\">, followed by Zaretsky in Ralph Fiennes\u2019 new\u202f<\/span><b><i><span data-contrast=\"auto\">Eugene Onegin<\/span><\/i><\/b><span data-contrast=\"auto\">\u202funder Semyon Bychkov and Case Scaglione. Further in Paris, he portrays Parsi Rustomjiin\u202fin a new production of Glass\u2019 <\/span><b><i><span data-contrast=\"auto\">Satyagraha<\/span><\/i><\/b><span data-contrast=\"auto\">\u202f staged by Bobbi Jene Smith and Or Schraiber and led by Ingo Metzmacher, and closes the season as Dottore in\u202f<\/span><b><i><span data-contrast=\"auto\">La traviata<\/span><\/i><\/b><span data-contrast=\"auto\">. On the concert stage, the bass returns to the Zurich Opera as Brander in Berlioz\u2019\u202f<\/span><b><i><span data-contrast=\"auto\">La Damnation de Faust<\/span><\/i><\/b><span data-contrast=\"auto\">\u202fwith maestro Yves Abel.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In the 2024\u201325 season, Ahangaran joined the ensemble of the Op\u00e9ra de Paris where he saw performances as Wagner (<\/span><b><i><span data-contrast=\"auto\">Faust<\/span><\/i><\/b><span data-contrast=\"auto\">), Conte Ceprano (<\/span><b><i><span data-contrast=\"auto\">Rigoletto<\/span><\/i><\/b><span data-contrast=\"auto\">), Un Berger and Le M\u00e9decin (<\/span><b><i><span data-contrast=\"auto\">Pell\u00e9as et M\u00e9lisande<\/span><\/i><\/b><span data-contrast=\"auto\">), and Un d\u00e9put\u00e9 flamand (<\/span><b><i><span data-contrast=\"auto\">Don Carlos<\/span><\/i><\/b><span data-contrast=\"auto\">).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Previous highlights include performances at the Zurich Opera as Rabonnier (<\/span><b><i><span data-contrast=\"auto\">La rondine<\/span><\/i><\/b><span data-contrast=\"auto\">), Medico (<\/span><b><i><span data-contrast=\"auto\">Macbeth<\/span><\/i><\/b><span data-contrast=\"auto\">), Theseus (<\/span><b><i><span data-contrast=\"auto\">A Midsummer Night\u2019s Dream<\/span><\/i><\/b><span data-contrast=\"auto\">), the Mandarin (<\/span><b><i><span data-contrast=\"auto\">Turandot<\/span><\/i><\/b><span data-contrast=\"auto\">), and Dumas (<\/span><b><i><span data-contrast=\"auto\">Andrea Ch\u00e9nier<\/span><\/i><\/b><span data-contrast=\"auto\">), as well as Don Basilio (<\/span><b><i><span data-contrast=\"auto\">Il barbiere di Siviglia<\/span><\/i><\/b><span data-contrast=\"auto\">) in Schaffhausen. He appeared at the Salzburg Festival\u2019s Young Singers Project in\u202fthe new production of Prokofiev\u2019s <\/span><b><i><span data-contrast=\"auto\">The Gambler<\/span><\/i><\/b><span data-contrast=\"auto\">, and has collaborated with conductors such as Riccardo Frizza, Gianandrea Noseda, Daniele Gatti, and Manfred Honeck in productions including\u202f<\/span><b><i><span data-contrast=\"auto\">Rigoletto<\/span><\/i><\/b> <span data-contrast=\"auto\">(Usciere),\u202f<\/span><b><i><span data-contrast=\"auto\">Siberia <\/span><\/i><\/b><span data-contrast=\"auto\">(L&#8217;ispettore),\u202f<\/span><b><i><span data-contrast=\"auto\">Ariadne auf Naxos<\/span><\/i><\/b> <span data-contrast=\"auto\">(Lakai),\u202f<\/span><b><i><span data-contrast=\"auto\">Jakob Lenz<\/span><\/i><\/b><span data-contrast=\"auto\">\u202f(Basso) and\u202f<\/span><b><i><span data-contrast=\"auto\">La traviata<\/span><\/i><\/b> <span data-contrast=\"auto\">(Un Commissionario).\u202f\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Amin Ahangaran\u2019s artistic training began in Tehran in 2016 and continued in Austria, where he debuted as Sarastro (<\/span><b><i><span data-contrast=\"auto\">The Magic Flute<\/span><\/i><\/b><span data-contrast=\"auto\">) and performed regularly as a soloist in the Graz region. He is a laureate of scholarships from AIMS and Academia Belcanto, participating in several prestigious masterclasses. In 2022, Ahangaran received multiple awards, including prizes at the CLIP Portofino, Riccardo Zandonai, and Voci Verdiane competitions.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Amin Ahangaran, praised as a \u201cfull-bodied and firm bass\u201d with a \u201cbeautiful nocturnal colour\u201d (Opera Libera) and \u201cone of the most charming voices of his generation\u201d (OPERA Charm Magazine), is an alumnus of both the Accademia del Teatro del Maggio Musicale in Florence and the Zurich Opera\u2019s International Opera Studio (IOS). A current ensemble member of the Op\u00e9ra de Paris, Ahangaran is one of the announced participants of the renowned Operalia competition in Sofia, set to take place at the Bulgaria Concert Hall in October 2025.\u00a0<\/p>\n<p>The highly anticipated 2025-26 season holds exciting roles for Amin Ahangaran: at Op\u00e9ra de Paris he appears as Angelotti in\u202fTosca, followed by Zaretsky in Ralph Fiennes\u2019 new\u202fEugene Onegin\u202funder Semyon Bychkov and Case Scaglione. Further in Paris, he portrays Parsi Rustomjiin\u202fin a new production of Glass\u2019 Satyagraha\u202f staged by Bobbi Jene Smith and Or Schraiber and led by Ingo Metzmacher, and closes the season as Dottore in\u202fLa traviata. On the concert stage, the bass returns to the Zurich Opera as Brander in Berlioz\u2019\u202fLa Damnation de Faust\u202fwith maestro Yves Abel.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":2188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bass"],"acf":[],"_links":{"self":[{"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/posts\/2185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/comments?post=2185"}],"version-history":[{"count":12,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/posts\/2185\/revisions"}],"predecessor-version":[{"id":10064,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/posts\/2185\/revisions\/10064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/media\/2188"}],"wp:attachment":[{"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/media?parent=2185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/categories?post=2185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csam.tobetold.film\/en\/wp-json\/wp\/v2\/tags?post=2185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}